The Baloise Group is more than just a traditional insurance company. The changing security, safety and service needs of society in the digital age lie at the heart of its business activities. The 7,900 or so employees of Baloise therefore focus on the wishes of their customers. The best possible customer service, combined with innovative products and services, makes Baloise the first choice for people who want to feel ‘simply safe’. Located at the heart of Europe, with its head office in Basel, the Baloise Group is a provider of prevention, pension, assistance and insurance solutions. Its core markets are Switzerland, Germany, Belgium and Luxembourg. In Switzerland, the Group also operates as a specialised financial services provider, offering a combination of insurance and banking services. The Group offers innovative pension products to retail customers throughout Europe from its competence centre in Luxembourg. Bâloise Holding Ltd shares are listed in the main segment of the SIX Swiss Exchange.
This year’s jury includes: Marie-Noëlle Farcy, Curator/Head of Collection, MUDAM, Luxembourg; Gabriele Knapstein, Head of Hamburger Bahnhof – Museum für Gegenwart, Berlin; Harald Falckenberg, Sammlung Falckenberg, Hamburg; Lionel Bovier, Director Musée d'art moderne et contemporain (MAMCO), Geneva and Martin Schwander, Fine Art Advisor of Baloise, Chairman of the jury.
Giulia Cenci’s immersive installation brings together a set of uncanny sculptures. All these fragmented works form an ambitious and complex composition turning the space into a stage on which visitors have to move with caution. Hybridization, aggregation, distortion testify to a prolonged creative process of transforming materials. Found elements – both mechanical and organic in nature – are combined in a sophisticated mix of materials from metal to rubber, from foam and resin to ceramic. The work is meant as an overall environment, where visitors walk through a kind of spread out skeleton whose bones are scattered in space. Giulia Cenci, *1988, lives in Amsterdam, Netherlands, Statements booth N15, SpazioA, Pistoia, Italy.
Xinyi Cheng tackles the genre of portraiture and imbues it with psychology, social relations, and personal fascination. As a female painter mainly choosing male models, she subverts the archetypal relation that has prevailed in this genre for centuries. The portraits are painted in undefined settings and range from classic compositions to extreme close-ups. The pictorial treatment varies from flat to detailed, from thin to thick, and from realistic to symbolic. Depicted in unrealistic but expressive colors, always mastered as an attractive combination and palette, the subjects of Xinyi Cheng's works are as much represented as they are fantasized. Xinyi Cheng ,*1989, lives in Paris, France, Statements booth N3, Balice Hertling, Paris, France.
During Art Basel 2019 (13.-16.6.) all the winners will be presented at the Baloise Studio (Hall 2.2.).